Spike Lee’s ‘Da 5 Bloods’ is a stylish reminder that America was built by us, not for us

 By Jake Lawler 

June 10, 2020

America was built by us, not for us. 

This is what Spike Lee needs you to know as you watch Da 5 Bloods. Partnering with Netflix on his second and most ambitious war film, Lee assembles an absolutely stellar cast, led by a mesmeric performance by Delroy Lindo, along with an experienced, talented crew to bring the story of the Black G.I. to the silver screen. Da 5 Bloods follows a group of Vietnam veterans as they head back to their old stomping grounds to retrieve the remains of their fallen Blood, as well as the millions of dollars in gold they buried with him. 

L to R: Jonathan Majors as David, Isiah Whitlock Jr. as Melvin, Norm Lewis as Eddie, Clarke Peters as Otis, and Delroy Lindo as Paul. Photo: David Lee / Netflix

This is a Spike Lee joint to its very core and his creative imprint is felt from start to finish. The quick cuts, dolly shots, frame squeezes, aspect ratio changes, fearsome monologues, and historical footage are all there. For fans and followers of Lee’s work, seeing these techniques time and time again make for a delightful trip down memory lane. But Da 5 Bloods isn’t just a product of technical craftsmanship; it’s a personal and affecting journey brought to life by a beautiful and measured sense of character and story. 

The journey of Da Bloods as we know it begins in a hotel in Vietnam, where Paul (Delroy Lindo), Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.), and Eddie (Norm Lewis) reunite to return their fallen squad leader, Stormin’ Norman’s (Chadwick Boseman), body back stateside. The chemistry and kinship from the group almost reaches out of the screen and slaps you in the face, immediately assuring you of the reality of their relationships with each other.

L to R: Isiah Whitlock Jr. as Melvin, Norm Lewis as Eddie, Clarke Peters as Otis, Delroy Lindo as Paul, and Jonathan Majors as David. Photo: David Lee / Netflix

After the dust has settled and the handshakes and hugs disappear, Da Bloods reveal an ulterior motive for returning to the country– finding the gold they buried years ago after discovering a crashed CIA plane during the war. After some reluctant dealings with Otis’s old flame, Tiên Luu (Lê Y Lan), and French smuggler Desroche (Jean Reno), Da Bloods plan to head off into the jungle, but not before Paul’s son, David (Jonathan Majors), makes a surprise appearance to join his father’s team. 

David and Paul’s relationship carries the lifeblood of the film. Paul is a terrible father and has been for quite some time, leaving David to pick up the pieces of a fractured family that broke after his mother died giving birth to him. It’s the defining tragedy in a series of tragedies that construct the psyche of Paul, who is one of the most sharply executed and carefully constructed lead characters in recent memory. He wears his pain on his sleeve, in his eyes, and on his head in the form of a MAGA hat which immediately puts everyone, including the viewer, in an uncomfortable position.

Character moments make Da 5 Bloods such a memorable and beautiful journey. These are people– real people– and you’re reminded of that every time they open their mouths to speak, and every time they close them to listen. 

Delroy Lindo as Paul, and Jonathan Majors as David. Photo: Netflix

As they head deeper into the jungle, which looks gorgeous thanks to an on-location shoot and stellar work from cinematographer Newton Thomas Siegel, David asks the other Bloods about the “old days.” Brought to life through fantastic 16mm flashback sequences, we see just how badass Stormin’ Norman and Da Bloods were back in the day, and it becomes readily apparent why Norman is their leader. He’s a man of conviction, an educated soul brother who knows why he is as much as who he is, and no one loved or respected him more than Paul. One of the most utterly powerful flashbacks is when Da Bloods learn over the radio that Martin Luther King, Jr. had been assassinated stateside. It serves as a sharp reminder that while Black soldiers have fought for America, America has never fought for Black soldiers. 

These reminders are what Lee wanted to leave with the audience more than anything. This is the film that he wanted to make and he leaves absolutely no doubt about that. By showing the gruesome acts of terror that America committed in Vietnam in the past juxtaposed with the PTSD and paranoia that has stuck with the soldiers who carried out those acts in the present, Lee leaves a stain on the viewer’s mind that’s impossible to wash off.

Chadwick Boseman as Norman. Photo: Netflix

It’s shocking that at 156 minutes, Da 5 Bloods never feels slow or long. The pacing is smart and the tonal shift in the third act is masterfully earned, which only adds to the beautifully harrowing journey told through Paul’s descent into his own personal hell. Although everything works brilliantly in the film, especially a stellar outing from long-time Lee collaborator, composer Terence Blanchard, Lindo’s performance as Paul is why we go to the movies. His arc is all parts terrifying, mesmerising, emotional, and exciting, and only elevates what Da 5 Bloods is meant to be: a stylish, uncompromising meditation on being a Black soldier for a country that doesn’t care whether you live or die.

Watch the trailer for Da 5 Bloods directed by Spike Lee, available on Netflix June 12.

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